Sunday, April 26, 2015

Wire, Wood, and Blood

The Father of Bluegrass was once asked how to be really good when playing the mandolin.  Bill Monroe's legendary response was "Son, you got to whup it like a mule."  Bluegrassers all over planet earth (and even some in outer space) know how to get that powerful bluegrass sound by aggressively picking their instrument with oomph.

Inevitably, the inevitable happens (redundant, I know).  One of those tight, metallic strings gives in to the strain of harsh strumming.  The sharp and pointy end whips through the air either narrowly missing your face, or leaving a tender remembrance of its passing.  If it does miss your face, it might spring closely toward your hand and stick in your fingers.  Yeah, the life of a bluegrass musician can be dangerous for sure!

Being quite an aggressive picker myself, the aforementioned scenario is a familiar one to me. My guitar has seen its fair share of blood splatters all over its immaculate wooden face.  If I had a nickel for every time I had to change a string between songs, I could afford a second guitar to stand on stage with me (so I wouldn't have to change between songs anymore)!  But I'm kind of glad I don't.  It would take away from the adventure of dodging loose (and bloodthirsty) wires on stage.

So take note, young bluegrass pickers (and you old ones, too)!  The illustrious profession of bluegrass musician is not for the faint of heart! Be prepared to change your strings during the chorus of a song.


Keep your cleaning rag, wire cutters and band-aids always at hand!

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